Stanisland Magazine

Decent visuals lend a hand to significant music.

Zino Vinci is a man with a flow that cannot be discounted when it comes to storytelling and narratives that hit different. Filled with cinematic visuals and first-class direction the only D minus the track perhaps should receive is its attachment to the trend of retrospective optic utilization. The nostalgia of shooting on film which just, needs to join room 101 right now, is but a shortcut to a label of creativity that isn’t so anymore with anyone having the ability to pick up a film camera and shoot.

But, despite these shortcomings, Vinci is a master storyteller with a cinema brain to match – the visuals are of unparalleled direction and match distinctly with the tone of the content, which roll descriptive screenplays to intrude on the listeners perception of its poignant setting. Though a deeper understanding should be purveyed here, something only Vinci perhaps understands better as most gaps can be filled by better access to press releases. Though, at this point, it adheres to his upbringing, growing up in what we presume is London’s Newham as specified by the artist in the past.

Amendment: The artist has updated his Instagram to advise the background of the song: