Future, DJ Khaled, and Lil Baby wearing black in a promotional still for their new single “One Of Them”.

“One Of Them”: DJ Khaled’s New Track Is A Tired & Old Sound

DJ Khaled’s new song featuring Future and Lil Baby is a lacklustre effort that offers little to hip-hop

DJ Khaled has certainly divided the masses. His polarising presence and, for lack of a word, limited talent are felt throughout the culture and the wider music community. So when he released “his” new single, “One Of Them,” featuring Future and Lil’ Baby, intrigue is a word that can be used…along with potential disappointment. The question remains, which word best fits such an effort?


DJ Khaled ft Future & Lil’ Baby – “One Of Them” (Official Music Video)

What “One Of Them” Sounds Like

It turns out the word that springs to mind is indeed “effort,” with a gold star for trying, at most. While DJ Khaled is listed as a producer on “One Of Them,” it’s more than likely (correct me if I’m wrong) that he stood over someone else as they crafted the score. A curator at best, his talent in such a field is still lacking, as his constant ad-libbing reminds me of one such personality: Diddy, who also displays a knack for commissioning music and lyrics to pass off as his own.

“Throw me in the trap, I show you how to control that ho
Stay with junkies, I ain’t goin’ home ’til my bank don’t fold”

Future and Lil’ Baby‘s presence on “his” new single boosts the prestige of the track to a level that can strengthen its reception. Still, as expected, their predictable contributions fail to push the song beyond trite and “pah!“-inspiring reactions from the audience. With all the usual hallmarks of a narrow spectrum of banal-sounding chart rap, which at times sounds offbeat and forced. That’s the downside of over-processing autotuned vocals atop a production laden with formulaic motifs.

We don’t need this; this single adds zero value to hip-hop and ends nothing short of a demonstrable beacon of disillusionment. Certain artists in the genre need not receive so much attention, as it only encourages low-quality, filler-style contributions. We need to give more opportunities to rappers and producers with inborn potential, because this is not it.

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